| Abstract
paintings created by pulling canvases soaked in paint over different
surfaces in the streets. The remaining canvas and the subsequent photo are both documentation. They are traces of an action that is comprehensible somewhere in between the physical remainder and the photo documentation. The title “Surface Memory” is a reference to both the surface of the public space and the surface of the canvas. The surface of the canvas carry traces of the action as well as of the urban physicality: The wall, the paint and the movement. |
